DIGITAL EXHIBITIONS2


此水彩圖像系列建基於我在一段長時間裡創作的一連串抽象畫作。部分早期作品同樣以水彩作媒介,但其中許多探索是以丙烯顏料為媒介進行的。偶爾,從形式主義的角度看來,抽象藝術被視為一種與主題無關的藝術形式。然而,對我來說,藝術與意義之間的關係密不可分,縱然其意涵可能難以言喻。要將文字意旨轉化成視覺圖像同樣困難重重,但是這並非意味著言辭文字本身欠缺深意,反之亦然。
This series of watercolour images builds on a line of abstract paintings I have created over a long period of time. Earlier works have also sometimes been watercolours, but many of those explorations also used acrylic as a medium. Sometimes, abstract art is viewed formalistically, as being unconcerned with subject matter. However, to me art is always tied up with meaning, even if the meaning it shares may not be something which is easy to put into words. It is also difficult to translate verbal meaning into visual images, but that doesn’t mean words are not meaningful in their own right—and the reverse is also true.
David Clarke
祈大衛

David Clarke 祈大衛
Watercolour on paper 水彩紙本
35.2 x 42.9 cm 厘米
2021–2022
Terry Boyce 貝達理
Response 回應:
The image portrays my inner visualisation of the wave-particle duality of photons: oscillating electromagnetic wavelets of different colours (wavelengths) inside spatially restricted pockets of space. I know it's simplistic, but I have always found it benefi cial in helping to understand the quantum behaviour of light. In a similar manner, Picasso's cubist paintings helped me visualise how space would appear if you were able to travel at the speed of light.

David Clarke 祈大衛
Giclée print on paper 數位版畫紙本
71.4 x 90.2 cm 厘米
2024
Dawn-joy Leong 梁秀文
Response 回應:
Wriggling, but not writhing, a happy movement, like soft autistic 'stimming' to express gentle joy (not exuberance). Blue blobs in the middle ground suggest a jelly-like liquid, some kind of liqueur that's sweet… I taste olives, sundried
tomatoes…

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